ScarletDevil.orgYouTube Metadata ArchiveVideo:
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| Title | 【東方New-age music】 Phrygian Girl 「K2 SOUND」 |
| Channel | Nitori Kappashiro |
| Published | 2014-10-16T15:45:40.000Z |
| Description | Sorry for the fail earlier. I rendered previous video without listening the track in my video editing program so I ended up rendering Old World arrange rather than rendering this song lol. Anyways enjoy and thanks for the warning quickly. I didn't know there are considerate people who would kind enough to point out my mistake as quickly as possible so thanks for that o/ So during the 1970's a new international musical movement began to emerge. Always unfocused and multi-directional, it had never had a clear identity. In 1986 it reached critical mass commercially, and the record industry settled on a name — New Age music. In the early days, when New Age was just one of many references that were floating around to describe the nascent genre, listeners, reviewers, and even the musicians creating it were unclear about the meaning of the term, since a wide variety of contemporary, experimental, and traditional styles were swept together under the New Age umbrella. As a description of grass roots spiritual movements the term "New Age" has been around at least since the neo-spiritualist movements of the late 19th century. It is here that the genre found its original audience and probably its dubious reputation for intellectual rigor. The idea that society is about to enter a New Age is a provocative vision that has energized the hearts and minds of progressive people for many generations. Aided by the astrological popularizers, we remember how quickly society accepted the idea of the "Age of Aquarius" in the Sixties. How and why music serves as an expression of this vision is the question here, but the connection is not all that obvious. To understand the role that this music plays in our culture, we really need to know something about the underlying psychological forces acting on both the musicians and the audience. In his 1981 book Through Music to the Self (Vega Books; ISBN: 1843332086; June 2002) German composer Peter Michael Hamel wrote of "a new auditory consciousness, capable of being applied to all today's varieties of music -- whether Classical, Pop, Jazz, Avant-Garde..." Because the contemporary listener now has the entire panorama of the world's music available through recordings, the application of this new consciousness to the music coming down through the ages has reconnected us with certain psychic and emotional experiences which have not been dated by the passage of time, but remain relevant. The extraordinary popularity of pieces like the Pachelbel "Canon in D" is perhaps the best example of this, although entire musical genres such as the Gregorian chants of medieval Europe, as well as traditional Japanese classical music, Balinese gamelan, and other types of what is now called World Music have come to the surface and enjoy renewed attention, especially among New Age listeners. Certainly a new auditory consciousness would be expected to create new musical forms. Although the deepest roots of New Age music are planted in some of the very oldest forms of music, there are several aspects which deserve to be called new. In the categories which follow, I've attempted to create a perspective for understanding both the basic motivation and the psychological characteristics of most of the music which is being called New Age. The descriptions are in terms of the sound imagery, the content, and the overall experience of the music. I acknowledge both the distaste for categories among many listeners as well as the inherent problems of categorizing music. Categories that are broad enough to include an entire era or dimension of musical style or meaning are often of little descriptive value; on the other hand, those which are too specific give no insight into the overall musical direction of which the particular piece is an example. The situation is further confused by the fact that categories may be organized by historical epochs (Baroque), by musical form (symphonic), by the means of production (electronic), etc. ☆ミ Title： フリギアの少女 （Meaning "Phrygian Girl".） ☆ミ Album： 冥月 Mei-Getsu ☆ミ Circle： K2 SOUND ★彡 Original Title： 緑眼のジェラシー （Meaning "Green-Eyed Jealousy".） ★彡 Source： 東方地霊殿 ～ Subterranean Animism （Touhou Chireiden, meaning "Eastern Palace of the Earth Spirits".） ♬♪♫ ミ Arrangement： Sion ♬♪♫ ミ Original Composer： ZUN 「上海アリス幻樂団」 ♬♪♫ ミ Website： http://www.c-clays.com/03_pro/mei/mei.html ✧彡 Event： Hakurei Shrine Reitaisai 11 「博麗神社例大祭11」 ✧彡 Release Date： May 11, 2014 ✧彡 Album Genre： Anime-Rock, New-age music, Techno Pop, Dubstep, Rock, EDM Style J-Pop, Instrumental, Hybrid R&B＆Pop Rock — Touhou Vocal Arrangement Album. ✿彡 Picture Artist： 6 ／ Pixiv id=1051027 ✿彡 Source： http://danbooru.donmai.us/posts/1794430 ✿彡 Character： Mizuhashi Parsee 「水橋パルスィ」 ♪ミ Watch in HD for better audio. |