ScarletDevil.orgYouTube Metadata ArchiveVideo:
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| Title | [東方 /NeoClassicalMetal/ Arrange] Kawase - Super Mon-Petit |
| Channel | Naturalistick2 |
| Published | 2010-06-11T22:51:39.000Z |
| Description | [Title] - Super Mon-Petit [Author/Circle] - Kawase / Thousand Leaves [Album] - Daydream [Event/Date] - Comiket 76 (Aug 15, 2009) [Original] - Diao ye zong (Withered Leaf) ~ Chen's Theme [Game] - Touhou 07: Perfect Cherry Blossom Kawase is the sort of feature I've been finetuning over the ages in order to come to a conclusive upload, and I figured this one pretty much sealed the deal. As we've all come to notice, under Thousand Leaves, the leading man seems to be Bach, whose portfolio snags a whopping 20s, give or take. I had the math done the other day. Incidentally, I noted down sensibly half of Kawase's arranges throughout TL as well. Unlike Kawase, Bach seems to stick to his ABCs and maintain some consistency in his arranges, whereas Kawase's genres branch of from pure classical to electronic and even shredding sessions as is today's guest. Can you guess where this leads us? Effectively, we get the eclectic man whose portfolio is thinner and the dude who draws out a similar formula in all his songs. Unfortunately for Kawase, the premises do not seem to deal him the greatest hand. Essentially I either propose Kawase gets more album time or he sticks to what, in my opinion and for what it's worth, to what he's got a knack for: neo-classical metal. Caress that fretboard and make it scream, because jesus hell, we are in for Touhou shredmetal o'clock when you do it. Moreover, the only other guy who seemingly approaches Touhou in neo-classical metal seems to be IRON, and even then, he's more of a power metal dude. Setsuna you say? Well Setsuna to me is more symphonic and gothic rather than neo-classical, and truly, it does show. So here's to a friendly construct regarding Thousand Leaves's antics and all its most fulfilled shenanigans. Bach and Kawase separated may allow some room for divergence, but together, they form a wonderful and important circle to the Touhou metal scene and that's what we're here for. Ladies and gentlemen, tonight we find rampant mirth in this shred hour show we call Jason Becker gone Touhou. |